Sunday, March 4, 2012
Vampyr (1932)
Carl Th. Dreyer's films are always interesting (sometimes brilliant) and this is the case also with regard to Vampyr. Although formally a sound film, it has the aesthetics of a silent movie. Lines are rare, and they are never really important for the plot (if you want to learn basic German skills from this film, you can pick up useful phrases such as "ich bin verdammt!"). I was extremely tired while watching the film. My mind drifted in and out, as I awoke & fell asleep to the churning rhythm of the film. Vampyr is clearly not Dreyer's best film. It is, however, pretty entertaining to watch an early vampire film with plenty of doom & gloom. The film boasts some unnerving visual effects, including the gaze of a corpse and a strange facial transformation (signalling: this is the Cursed). In a lengthy scene, the camera creates a very claustrophobic image of a mill's machinery. We don't really get to know much about the nature of vampires, except that they are somehow connected with a larger web of evil forces (or at least there are hints of this). -- The plot of Vampyr is pretty ramshackle; nothing much to write home about. The visuals and the dreamy (or nightmarish) atmosphere, however, make the film worth watching. Shadows and weird lighting prove to be far more evocative than gorey monsters.
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