Thursday, September 9, 2010

Ordet (1955)

Not only is Carl Th. Dreyer's Ordet a great film about variations in religious and anti-religious consciousness - it is a beautifully executed film that boasts an integration of image, sound and composition. I've watched some of Dreyer's movies. One thing that strikes me about them is how gender-conscious they are. In film after film, Dreyer makes assaults on patriarchal power. Gertrude is maybe the best example, the film about Jeanne D'arc another one. In Ordet, Dreyer shows how patriarchal power (men deciding over the fate of women) is connected with ideas about class and faith. Is he famous for his points about gender? I really don't know.

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