Sunday, December 1, 2013

Giant (1956)

Giant (dir. George Stevens - who made the fine A place in the sun) is an epic mess. It has its good parts but oh lord, is it overwrought! But I tend to enjoy these kinds of megalomanic attempts to make the Ultimate films, so I fared quite well through it all. I mean, who DOESN'T love over-the-top studio productions with acting that veers from papery to "intense". The James Dean - Rock Hudson chemistry hardly beats anything. With a sprawling script, tacky lines and a story that covers almost every phenomenon within the human condition, Giant must be taken for what it is: a film to enjoy for its sheer ... grandness. I'm not sure of every logical step, but forget about it. Enjoy the technicolor! One must say that the social agenda of the film is in the right place: Texas is indicted for its racism (the film's relation to machismo codes is much more complex). Hudson plays the wealthy landowner who finds a girl to marry. The girl helps people in the community - people that shouldn't be helped, according to the landowner, Bick. The girl Leslie has "adjustment problems" and her befriending a local worker called Jett Rink (!! yep) doesn't help. Basically, Bick, the racist swine, is the focal character of the film: he is the one who gradually faces himself, who changes. For this, it needs a couple of generations and the transformation of Jett Rink into a wealthy oil magnate. Giant is also refreshingly anti-capitalism. It captures the business of landowning-for-profit and the oil business in a very unflattering light. Land is exploited and in the end, people are exploited, empty and lonely. Interestingly, BOTH the rugged individualist AND the well-rounded socialites are presented negatively. That's a point I can sympathize with.

 - - I shouldn't be too harsh on the film. In some interesting scenes in the second part of the film, the clashes between children and parents are chronicles, clashes that are often sparked by the children's pursuing a different path of life than their parents. Sadly, this aspect of the film is under-developed. The drama is what is focused on.

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